Ramon
Self-Released, 2023
8/10
The Harlem Saxophonist and Grammy Nominee Christopher McBride returns with his 2nd album that embraces his musical experiences from childhood, and they’re all originals that welcome an excellent assembly of musicians.
“Lady D” gets the listen off to a very lively start, where the swift brass and Noah Jackson’s playful bass lines help shape the song about McBride’s mother, and “Welcome” follows with a calmer pace that actually is a verbal introduction to the entire cast.
Further along, J Hoard’s very soulful singing suits McBride’s expressive sax on “Your Eyes Can’t Lie”, while “Intimacy” recruits Morgan Burrs on guitar amid Jonathan Edward Thomas’ agile piano playing for the reflective album highlight.
Deeper still, “Stand Your Ground” unfolds across 3 movements, and addresses the murder of Trayvon Martin with atmospheric bass plucking, swift trumpet and firm keys complementing the precise sax, and Kenny Bentley’s tuba is used well in the festive and animated, dance floor ready, “Girl Get’Em”.
A listen that often swings with an infectious energy, McBride and company embrace the spirit of Chicago, New Orleans and New York here, and R&B and post-bop nods are certainly in attendance for this diverse and very sincere, grateful, jazz endeavor.
Travels well with: Darmon Meader- Losing My Mind; Tito Carrillo- Urbanessence